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| Move | N | Result | Elo | Players |
|---|---|---|---|---|
| Replay and check the LiveBook here |
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Involving various diagonals 1.Nf3 d5 2.c4 c6 3.b3 Bf5 4.Bb2 e6 5.g3 Nf6 6.Bg2 Nbd7 7.0-0 h6 8.d3 Be7 9.Nbd2 0-0 10.Rc1 a5 11.a3 Re8 12.Rc2 Bh7 13.Qa1 "Doubling" on the diagonal - an idea typical of the so-called
hypermodern style, which originated around 1920 with the masters Reti and
Breyer. The centre was not occuped by pawn, but controlled from a distance by
long-range pieces Bf8 13...Bd6 more active 14.-- e5 14.Re1 Qb6 15.Bh3 Bc5 16.Rf1 Bf8 17.Rcc1 Rad8 18.Rfe1 Bc5 19.Rf1 Bf8 20.Bg2 Bd6 21.Ne5 So far both sides have been groping for a plan of campain, but this
move prepitates a phase of battle for the diagonals Bxe5 22.Bxe5 Nxe5 23.Qxe5 Nd7 24.Qb2 Nf6? Black persevers with his waiting policy 24...c5! striking at the centre 25.cxd5 exd5 opening the e-file 26.Bxd5 Rxe2 25.b4! axb4 26.Qxb4 Qxb4 27.axb4 Ra8 28.Ra1 Nd7 29.Nb3 Kf8 30.Ra5 An idea familiar to us from previous chapters. White
forces a clearing-up of the open file situation by occupying its furthest
available square dxc4?
This exchange is grist ot White's mill, extending the range of his Bishop 30...Ke7 essential 31.dxc4 Nb6 32.Rxa8
A strong move, now that White can work with tactical devices Rxa8 33.Na5 Ra7 34.Rd1 Ke8 34...-- 35.Bxc6 threat of a Knight fork bxc6 36.Rd8+ Ke7 37.Nxc6+ 35.Nxb7 Rxb7 36.Bxc6+ Rd7 37.c5
removing the guard Ke7 38.Bxd7 Nxd7 39.c6 Nb6 40.c7 Bf5 41.Rd8 e5 42.Rb8 Nc8 43.b5 Kd6 44.b6 Ne7 45.Rf8 Bc8 46.Rxf7 Nd5 47.Rxg7 Nxb6 48.Rh7 Nd5 49.Rxh6+ Kxc7 50.e4 Ne7 51.f3 Kd7 52.h4 Ke8 53.Rf6 Ng8 54.Rc6 1–0
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| White | EloW | Black | EloB | Res |
|---|---|---|---|---|
| Capablanca | - | Lilienthal | - | 1–0 |
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